Martin Dust presents a personal portrait of Sheffield's iconic brutalist estate, with this new 60-page photographic book.
60 Pages, 175mm x 235mm, Perfect Bound
Cover: 350gsm Satin Matt Laminated
Pages: 170gsm Satin Silk
ISBN: 978-1-874171-06-5
Park Hill has always been part of my life. Travelling into Sheffield, it was always there, greeting you at the end of your journey, a sleeping giant watching over Sheffield with a thoughtful eye.
It’s been an essential part of my thinking and journey, leading me to the conclusion that I’m not, in fact, documenting things. I’m attempting to reveal the beauty in everyday objects, recognising that the art of such buildings can influence the individual.
Some people think of my interest in Park Hill as some kind of ‘fetish’, but that ignores my personal attachment to the place. I was born and spent my childhood living on a nearby council estate, so for me, Park Hill has always been there, anchoring my view of the city. It’s a great example of social housing and it’s always been right on my doorstep. The scale of the site, the complex social planning and the bold architecture have all fed into my obsession with symmetry and synchronisation. I’m probably one of the few people in the city who has helped put on a music event and played at Park Hill.
Originally built between 1957 and 1961, Park Hill replaced the slums known locally as ‘Little Chicago’. The futuristic design was by architects Jack Lynn and Ivor Smith under the watchful eye of J.L. Womersley. The estate gradually fell into decline in the late 1970s and there were many reasons why. The Tory government’s destruction of heavy industry, mining communities and social housing all played a part, as it did in many industrial cities around the country. Underfunding, neglect and poor maintenance became a death kiss for the community.
In recent years, the buildings have been awarded listed status and are now being refurbished by Urban Splash, not only returning their former glory but adding even more influence from Le Corbusier’s Unité d’Habitation.
I love the place and I’m proud that it’s survived because, to me, the real spirit of Sheffield resides within these walls.
Silenced (Remastered) – Silenced 2 X 12" On Orange Vinyl
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Silenced (Remastered) – Silenced Limited CD
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My Brutal Life – My Brutal Life (Limited White Vinyl)
£23 GBP
Radio Scarecrow (Remastered) – Radio Scarecrow 2 x 12" Red 180gram Vinyl
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Music For Real Airports (Repress) – Music For Real Airports (Repress) 3 x 12"
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My Brutal Life – My Brutal Life (CD)
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Radio Scarecrow (Remastered) – Radio Scarecrow CD
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Music For Real Airports (Repress) – Music For Real Airports (Repress CD)
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My Brutal Life Credit Card USB Drive
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Music For Photographers – Music For Photographers CD
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Music For Photographers – Limited Edition Cassette
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The Grey Album – The Grey Album Cassette
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Music For Real Airports (Repress) – Super Limited Cassette
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Form & Function
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Brutal Postcards (10 Cards & Presentation Box)
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System Fork –
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Application
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Music For Moore Street Substation – Limited CD In Wallet (150)
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Music For Moore Street Substation – Deluxe Version (150)
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Situation District Volume 3: Moore Street Substation
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My Brutal Life - Exhibition Catalogue
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Situation District Volume 2: Gleadless Valley
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Brutal Yorkshire
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Little Sheffield
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Brutal Sheffield
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Black Daisy Wheel – Compact Disc
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Post -Truth – Compact Disc
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My Brutal Life – My Brutal Life CD Deluxe Version
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My Brutal Life – My Brutal Life Vinyl Deluxe Version
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Bytes –
Bytes (2 x 12" Black Vinyl)
Black Dog Productions
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Bytes –
Bytes (Limited Edition 2 x 12" BLUE Vinyl)
Black Dog Productions
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Spanners – Spanners (2 x 12" Black Vinyl)
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Spanners – Spanners (Limited Edition 2 x 12" ORANGE Vinyl)
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