System Fork
by Application
Jason Martin
VEDRANDJ
Mel
spleaf
zidraloden
Roger Carvey
taoyoyo_fan
Anton Bulychev
Jeramboquai
Polaire
J D
Matt Jacques
carl thompson
Spookanide
Kevin O' Moilar
Elizabeth Mizelle
Diarmaid Collins / Lustbader / DK+DI / PresidentAndroid
Jim Kartoffel-Kopf
TCYN
Andrew Till
Fionn
Skye Williamson
David Abravanel
therk
ian tingle
Stefano Medri
Michelle Tackabery
Vladza
David Graham
Bruce Levenstein
Simon Barker
contemporaryusername
Andrew Arnett
Clint Francis
muhonenm
Timanfaya
ng24sk3
jsclarke
fR30n
rikberendse
the-double-k
Jamie Moulding
Soulcheck
Andy Ralph
adam koskelainen
Steven Medcraft
jon boshard
joalla
Philip Couchman
Neil Elkins
James Peel
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Digital Album
Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card -
Compact Disc (CD) + Digital Album‘System Fork’ was designed around the principle of Itamae. From a visit to Japan, Application learnt about how these students (Itamae) would watch the Sushi Master for 5 years before being given their first task. In the same way, every detail in ‘System Fork’ was described and thought about before any work in the studio was done.
Application are Martin & Richard Dust, two of the three-parts that make up The Black Dog. But these groups are not musically interchangeable in any form. The Black Dog have no plan or rules, when they go into the studio they do what we want. With Application that isn’t the case, there’s a set of rules and an internal manifesto that took two years to fully realise before any creative processes started in the studio.
Having rules meant ideas are abandoned a lot quicker than with The Black Dog. But they rules aren’t constrictive, approached as an opportunity for creative freedom rather than something oppressive, it’s seen like a set of walls around a field. This system created an interesting internal conflict between artist and designer.
The setup is also entirely different starting with custom drum racks and bass sounds built specifically for Application. Everything is built from the ground up starting with the bass and drums, and everything is drive by those patterns and grooves.
Working with Human & Shaun Bloodworth, Application also applied more design aesthetics into the artwork, videos & photographs. These will all become the prototypes to a live show with video and visuals
Includes unlimited streaming of System Fork via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ... moreships out within 4 days£9 GBP or more
You own this
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Record/Vinyl + Digital Album‘System Fork’ was designed around the principle of Itamae. From a visit to Japan, Application learnt about how these students (Itamae) would watch the Sushi Master for 5 years before being given their first task. In the same way, every detail in ‘System Fork’ was described and thought about before any work in the studio was done.
Application are Martin & Richard Dust, two of the three-parts that make up The Black Dog. But these groups are not musically interchangeable in any form. The Black Dog have no plan or rules, when they go into the studio they do what we want. With Application that isn’t the case, there’s a set of rules and an internal manifesto that took two years to fully realise before any creative processes started in the studio.
Having rules meant ideas are abandoned a lot quicker than with The Black Dog. But they rules aren’t constrictive, approached as an opportunity for creative freedom rather than something oppressive, it’s seen like a set of walls around a field. This system created an interesting internal conflict between artist and designer.
The setup is also entirely different starting with custom drum racks and bass sounds built specifically for Application. Everything is built from the ground up starting with the bass and drums, and everything is drive by those patterns and grooves.
Working with Human & Shaun Bloodworth, Application also applied more design aesthetics into the artwork, videos & photographs. These will all become the prototypes to a live show with video and visuals.
Pressed on 180gram vinyl and untouched by human hands.
Limited to 300 copies.
Includes unlimited streaming of System Fork via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ... moreships out within 4 daysedition of 300£20 GBP or more
You own this
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1. |
Ambient A
02:58
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2. |
Flange 7
04:03
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3. |
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4. |
Front End
04:26
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5. |
Siren
05:39
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6. |
Swuth
07:11
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7. |
Theme From
04:23
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8. |
Format
04:16
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9. |
Cron Job
07:18
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10. |
Ambient B
03:14
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about
'System Fork’ was designed around the principle of Itamae. From a visit to Japan, Application learnt about how these students (Itamae) would watch the Sushi Master for 5 years before being given their first task. In the same way, every detail in ‘System Fork’ was described and thought about before any work in the studio was done.
Application are Martin & Richard Dust, two of the three-parts that make up The Black Dog. But these groups are not musically interchangeable in any form. The Black Dog have no plan or rules, when they go into the studio they do what we want. With Application that isn’t the case, there’s a set of rules and an internal manifesto that took two years to fully realise before any creative processes started in the studio.
Having rules meant ideas are abandoned a lot quicker than with The Black Dog. But they rules aren’t constrictive, approached as an opportunity for creative freedom rather than something oppressive, it’s seen like a set of walls around a field. This system created an interesting internal conflict between artist and designer.
The setup is also entirely different starting with custom drum racks and bass sounds built specifically for Application. Everything is built from the ground up starting with the bass and drums, and everything is drive by those patterns and grooves.
Working with Human & Shaun Bloodworth, Application also applied more design aesthetics into the artwork, videos & photographs. These will all become the prototypes to a live show with video and visuals.
Application are Martin & Richard Dust, two of the three-parts that make up The Black Dog. But these groups are not musically interchangeable in any form. The Black Dog have no plan or rules, when they go into the studio they do what we want. With Application that isn’t the case, there’s a set of rules and an internal manifesto that took two years to fully realise before any creative processes started in the studio.
Having rules meant ideas are abandoned a lot quicker than with The Black Dog. But they rules aren’t constrictive, approached as an opportunity for creative freedom rather than something oppressive, it’s seen like a set of walls around a field. This system created an interesting internal conflict between artist and designer.
The setup is also entirely different starting with custom drum racks and bass sounds built specifically for Application. Everything is built from the ground up starting with the bass and drums, and everything is drive by those patterns and grooves.
Working with Human & Shaun Bloodworth, Application also applied more design aesthetics into the artwork, videos & photographs. These will all become the prototypes to a live show with video and visuals.
credits
released June 30, 2014
license
all rights reserved
tags
discography
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Sep 2018 -
Sep 2018 -
Sep 2018 -
Aug 2018